But Bonnard’s vision, even in these large paintings, is counterintuitively near. His inimitable touch keeps us connected to just about every part of the look at. In another essay, "The Affective Fallacy", which served to be a sort of sister essay to "The Intentional Fallacy" Wimsatt and Beardsley also discounted https://newsgeneral.co.uk/elevating-interiors-the-timeless-appeal-of-framed-wall-art/